![]() ![]() I’ve had clients where the UHD files were so large that the video wouldn’t even play on their computer. Scott Freeman: A simple way to put it is we are basically conforming different footage from different cameras to create an accurate link between the files. I try to solve these problems, which are still quite prevalent in post-production.įrank Beacham: Are saying that most edit decision lists are not really accurate? AVID When there is a swap out or replacement of video files for online editing, the process is infused with chaos and bugs. Actual camera masters are not being edited offline. Scott Freeman: Video files are now edited at the proxy level. Now, Freeman is a freelance editor and consultant who specializes in solving difficult editing problems.īroadcast Beat’s Frank Beacham spoke with Freeman.įrank Beacham: You have a reputation as a post-production problem solver. He was online editor for the Emmy-winning documentary, Stardust: The Bette Davis Story, and was the online editor on the # 1 hit song, Give It to Me, the music video by Timbaland, Nelly Furtado and Justin Timberlake. Scott Freemanįreeman edited the first two seasons of Suits on the USA Network and has edited Hulk(2003), Covert Affairs (2010) and Idlewild (2006) plus more than 100 hundred other productions. ![]() Dozens of shows now use his techniques to speed up their workflow. ![]() This combination of skills has gotten him the nickname “Sherlock Holmes” due to his unusual ability to solve complex editing problems that slow down post-production workflows. Scott Freeman is both a video editor and an engineer. ![]()
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